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《艺术地图》
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| 印刷:江苏文艺出版社 |
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当代艺术与“社群”意识Contemporary Art and Community Awareness798双年展将是最具独立精神的一次双年展The 798 Biennale Is to Become the Most Independently-minded Biennale特别报道 Special Reports独立影像中的底层社会The Underprivileged in Independent Films从《秉爱》《伞》看社会变迁中的个体生存Seeking the Presence of Individuality from “Bing'ai” and “The Umbrella” 第三届北京独立电影论坛散记Note on the “Third Beijing Independent Film Forum”《血蝉》观后感 Afterthoughts on the "Little Moth"高中那点事──小调式《街口》 Those Matters from High School—an Impression on "The Street"《二冬》导演自述 "Er Dong"—A Director's Commentary马下──耿军《青年》 Delayed—Geng Jun’s "Youth" 《青年》导演自述 "Youth" —A Director’s Commentary谁的《草芥》？ Whose "Weed"?没关系——关于《盒饭》 Never Mind—About "Take-Out"远去的背影：《三峡大移民》The Receding Shadow: "The Immigration of the Three Gorges"独立纪录片的道路 The Way of the Independent Documentary封面人物 Cover形象之灵：于凡雕塑中的人及其形式The Spirited Form: The Figures and Their Styles in Yu Fan’s Work要像上帝那样创造 ──于凡笔记To Create Like God —A Note by Yu Fan佛法易得，魔境难入──朱其+于凡The Way of the Buddha Can Be Easily Attained, But the Demon’s Realm is Difficult to Enter—Zhu Qi + Yu Fan人民需要的不是面包 What the People Need is Not Bread封面话题 Features当代艺术的合法化“质疑” The “Suspicion” Behind the Legalization of Chinese Contemporary Art除了既得利益，当代艺术还剩下什么？Aside from the Vested Interest, What is Left in Chinese Contemporary Art?除了“和稀泥”，当代艺术的“合法化”没有实质意义 Aside from Being a Mound of “Mixed Mud,” the “Legalizing” of Chinese Contemporary Art Does Not Hold Any Ground拒绝官方主义是中国当代艺术唯一的出路Rejecting the Official Doctrine is Chinese Contemporary Art's Only Way Out资本在中国就是“官商合流”In China, Capital Equals “the Collusion of the Officials and the Merchants”国际艺术 Art International论当代艺术的当代问题In Discussing the Contemporary Problem of Contemporary Art专访哈尔·福斯特An Interview with Hal Foster“当代艺术”？── 轻松的存在状态“Contemporary Art”?—the Apparent Lightness of Being暗夜，矛盾冲突：二律背反的时代Dark Nights, Antinomic Frictions: The Contemporary Art Question拉斐尔·洛萨诺·汉默：与何塞·路易斯·巴里奥斯的对话Rafael Lozano-Hemmer—A conversation with José Luis Barrios水墨研究 The Study of Shuimo文人画家赵正能的水墨世界Literati Painter Zhao Zhengneng’s world of Shuimo姬子的绘画：飞腾的世界Arthur Danto—Viewing Ji Zi’s work 艺坛聚焦 Art Focus艺术新经济 Art Economies Beyond Pattern Recognition第六届中国纪录片交流周The "6th China Documentary Film Festival"燕京八景（2008/2009）──王川个人作品展8 Great Sites of Beijing (2008/2009)—Wang Chuan Solo Exhibition北京肖像──安娜伊思·马田个人作品展Beijing Portraits—Anais Martane Solo Exhibition空瓶子──瓦斯科·兰德格仁作品展Empty Bottles—WassinkLundgren Solo Exhibition2009广州国际摄影双年展外围展 Periphery Exhibition of Guangzhou Photo Biennial 2009青岛首届春潮当代雕塑艺术节 The First Chunchao Contemporary Sculpture Art Festival in Qingdao艺术家 Artist 能量的联系──米卡·罗特恩伯格访谈The Energetic Connection—An interview with Mika Rottenberg新锐视角 New Perspective谁来“定义”中国当代艺术Who “Defines” Chinese Contemporary Art?俞心樵专题 A Special Report on Yu Xinqiao最根本的问题和最重要的艺术The Most Basic Problem and the Most Important Art俞心焦的《墓志铭》：铭写我余存的祖国“The Epitaph” of Yu Xinjiao: Inscribing the Remainder of My Motherland今生今世：到处都是海（节选 02）This Lifetime: The Sea is Everywhere (Excerpt 02)图书介绍 Books展览资讯 Exhibitions
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